Push. Pivot.

Studio 07

2017

Inspired by Sol LeWitt's "Forms Derived from a Cube," this gallery space design delves into the realm of form and elevation within architecture. Embracing LeWitt's conceptual approach, the project reimagines the traditional architectural element of the window through three distinct lenses: as an opening, a graphic element, and a frame.

By dissecting and analyzing the window's portrayal in architectural drawings, the design explores the interplay between transparency, surface, and structure. Employing the same principles used in LeWitt's exploration of geometric forms, the facade undergoes a transformative journey, with manipulation and distortion occurring along various axes. The result is a visually complex facade that influences the spatial experience both externally and within the gallery's interior, offering a harmonious blend of art and architecture.

Sol-Le-Witt Forms

Form Study

"Forms Derived from a Cube" explores the potential of simple geometric forms, particularly cubes, as the basis for creating complex and visually intriguing compositions. LeWitt was known for his use of strict, systematic processes in his art. Using building facade elevations and their components, a series of 24 illustrations were created by manipulating planar elevations, resulting in the geometric abstraction and exploration of form within predetermined parameters, established by the original shape.

Surface Strategy

Starting with a rectangular volume with a 2:1:2 ratio, four of the Sol Lewitt forms were collaged. The geometric moves made to form each individual shape were then reproduced on a simple square facade with a symmetrical window pattern. Each move whether a projection, rotation, or three dimensional pivot influenced both the windows and interior patterns of the gallery.